Showing posts with label Top 10 Final Girls with Behind The Couch. Show all posts
Showing posts with label Top 10 Final Girls with Behind The Couch. Show all posts

December 9, 2011

#1-3 The Death Rattle & Behind the Couch's Top 10 Final Girls

Behind the Couch
#1 Jannicke in COLD PREY - Jannicke is unquestionably born and bred from Final Girl stock. Good natured, intelligent, funny, mature, pretty, reliable, considerate and loyal. It is she who tends to her injured pal when he breaks his leg snowboarding, she who spies the creepy hotel they seek shelter in and she who tries to make everyone stick together and stay calm when the killer shows up. However she’s far from perfect – which adds to her likableness. She may be in a stable relationship but she balks at the idea of moving in with her boyfriend and demonstrating the level of commitment that action would entail. We also see her break down with the stress of their situation at the hotel. Of course this happens when she’s alone; when she’s with her friends she maintains a brave face for their sake more than her own. In Cold Prey II, we get to see her maternal side through her friendship with Daniel – a fellow patient at the soon to close and eerily deserted hospital.
When the shit hits the fan she keeps her cool and equips herself with strength, a shot gun and brutal determination to stay alive – often putting herself in grave danger to protect others.

The Death Rattle
#1 Jamie Lloyd in HALLOWEEN 5 - What I'm about to say is sacrilege, but I've always preferred Danielle Harris over Jamie Lee Curtis as the "damsel in distress" when it comes to the HALLOWEEN movies. I obviously understand the importance of the Laurie Strode character as portrayed by Jamie Lee in the first two HALLOWEEN films, and she's is without a doubt irreplaceable as the iconic Scream Queen, but Danielle Harris is my girl. With Harris being around the same age as me when she portrayed Jamie Lloyd in the fourth and fifth installments of the HALLOWEEN franchise, her character was always a lot easier for me to connect to. Harris is great in Part 4 as well, but it's in the fifth installment that she shines.

Harris turns in a strong performance, portraying a mute for over half the film and generally partaking in some rather demanding scenes for someone her age - both physically and, I assume, emotionally. Something worth noting about the actual character of Jamie is a certain decision she makes towards the end of the film. When it comes to most Final Girls in slasher films, there comes a point where she's either backed into a corner and is forced to adapt, or she makes a conscious effort to stand up for herself and confront the "boogeyman". In HALLOWEEN 5, Jamie Lloyd is purely in survival mode at a certain point, and while most children in their right mind would have waved the proverbial white flag, she has enough sense to play on the mental instability of Michael Meyers as a means of buying some time and distracting him; while it's ultimately not Jamie who's responsible for the downfall of Meyers in this particular film, her fighting spirit and survival instincts allowed her to overcome a seemingly unstoppable force almost twice her size.

Behind the Couch
#2 Yasmine in FRONTIER(S) - When we first meet Yasmine, she’s participating in a robbery that coincides with a protest march against an extremist right-wing politician who has been elected to the French presidency. She’s also just discovered she’s pregnant. Despite helping with the robbery, Yasmine displays a sense of conscientiousness and responsibility. It is she who insists they take their friend to hospital when he’s shot, even though it would mean a possible encounter with right-wing leaning police. Throughout her ordeal with the fascist Hitler lovin’ inbreeds who take her and her friends captive at the inn in which they seek refuge, her spirit remains unbroken. Parallels with Nazi Germany, meditations on the freedom of the individual and an utterly grueling ‘torture porn’ narrative ensure the viewer is gripped throughout the taut ordeal that is Frontier(s) – and Yasmine is our anchor. Demonstrating pluck, dignity and courage – even when totally surrounded by evil – she represents what we’d all like to think ourselves capable of doing in desperate situations. That she’s pregnant and vulnerable adds fuel to her already intense fire.

The Death Rattle
#2 Beth in HOSTEL II - Ironically, one of the last people who came to mind, but one that would eventually end up very high on the list. Beth (played by Laura German) is an art student who's studying abroad (in Italy to be exact) with a couple of her American friends. One weekend, they decide to take a train out of Italy, but their potentially relaxing getaway turns tragic when they find themselves abducted and essentially sold on the black market to wealthy clients with morbid fetishes. HOSTEL II isn't even close to being a slasher movie, as it's part of the infamous "torture porn" sub-genre that director Eli Roth unintentionally helped put on the map, but the character of Beth possesses the qualities of a strong Final Girl: extremely sensible, no-bullshit attitude, and deceptively tough. In other words, she's not the kinda chick you'd wanna acquire on the black market, and one of the film's antagonists finds this out the hard way in a scene that would make feminists worldwide clap like seals.

Behind the Couch - SPOILER ALERT
#3 Brigitte Fitzgerald in GINGER SNAPS - Ginger Snaps might be about sisterly love, sibling rivalry, burgeoning womanhood relayed through lycanthropic metamorphosis, but it’s also about a young girl yearning to think for herself, find her own voice and step out of her sister’s shadow. While Ginger is changing, physically, Brigitte is developing mentally. Branching out and standing on her own means a schism appears between the sisters, but in the end, because she loves her sister so much, and because she has to in order to ensure her own survival - Brigitte puts werewolf Ginger out of her misery in the most humane way she can. That she often makes awkward teen blunders, feels uncomfortable in her own skin and dabbles in ‘chemistry’ along the way, ensures she’s a highly likeable, though admittedly moody heroine.

The Death Rattle
#3 Chloe in HIGH LANE - While the French-language HIGH LANE is a very unoriginal film with strong similarities to a number of horror movies like THE HILLS HAVE EYES, THE DESCENT, and WRONG TURN, its Final Girl is a standout and obviously one of my favorites. A group of friends go hiking up in the mountains of Croatia, only to find themselves hunted by a savage redneck. Even though the content of the film is all too familiar, it's still a worthwhile entry in the backwoods slasher genre because of its style and the fact that the characters are, for the most part, likable. Amongst those characters is Chloe, played by Fanny Valette. Not much to speak of when it comes to her character or how she's set up to be the Final Girl, but her actions in the back end of the film alone are what made her a no-brainer as far as my picks were concerned. Chloe essentially goes from being your standard Final Girl to unleashing a ferocity the likes of which I rarely see from a character such as hers. We're talking eye-gouging, scratching, clawing, and genital-twisting! The point being, Chloe is not someone you mess with, regardless of whether you're a mountainous savage redneck or not.

December 7, 2011

#4-7 The Death Rattle & Behind the Couch's Top 10 Final Girls

Behind the Couch
#4 Jess Bradford in BLACK CHRISTMAS - Jess is often sorely overlooked when it comes to Final Girls – and she was arguably one of the first incarnations of the trope as we know it today. Intelligent, warm, sensible and confident, she seems to have it all. Except she doesn’t – she’s as flawed a character as they come. Discovering she’s pregnant, experiencing doubt and fear, dealing with her highly neurotic boyfriend and then having to dodge the pervy killer with a penchant for making creepy phone calls holed up in her attic; Jess never gets a break. It’s still pretty uncommon today for a film’s heroine to be considering an abortion throughout the narrative; that Jess is so conflicted only serves to heap more flesh on her bones and make her seem more real. When she hears the shocking revelation that the obscene calls they’ve been receiving were made from inside the house, she attempts to get her friends to safety – unaware that they’re already dead. Courageous and loyal, Jess’s only downfall is that she puts too much faith in the ineffectual police.

The Death Rattle
#4 Sarah in THE DESCENT - Sarah is not a Final Girl in the traditional sense, but I picked her because of her character arc, and also because the female characters in the film are designed similar to those that you'd see in a number of slasher movies. Speaking of which, I admire all of the young women in this movie for their toughness; even the one who we're ultimately not supposed to like. As for Sarah, she's someone who experienced great loss and trauma in her life and is suddenly put in a position where she's outside of her comfort level in the midst of her ongoing grieving process. By all means she's the most vulnerable character of the bunch, but yet she overcomes numerous obstacles (including betrayal), as well as her own personal issues, and comes out on top (well, sorta) by finding a strength within herself that she didn't even know she possessed. Probably more so than any other young woman on my list, her transition from victim to aggressor is intense, emotional, and worthy of many a fist-pump.

Behind the Couch - SPOILER ALERT
#5 Marie in SWITCHBLADE ROMANCE - When we’re first introduced to Marie she appears to exude everything a standard Final Girl should: intelligence, humility, a good nature and dependability. She’s a good friend to Alexa and often despairs of her friend’s disastrous romantic relations. Proactive and selfless, it is her we root for throughout the film as we follow her desperate attempts to rescue her friend. She also shows resourcefulness in the face of danger – concealing her possessions from the guest bedroom and retracing her steps so it looks as though the room has no occupant (much like Jane does in Sergio Martino’s Torso) when the killer is searching the house.
*Spoilers*
The twist ending of Switchblade Romance created such a fuss. I for one really like it – when re-watching the film it adds interesting layers and things to look out for. I can understand why some viewers felt cheated – here is a young woman with whom we sided and perched on the edge of our seats for throughout the riveting story – only for her to be revealed as a crazy killer who carried out the atrocities earlier in the film. And all because of her obsession with Alexa. Marie is an interesting twist on the figure of the Final Girl and she serves as a reminder that we all of us have a dark side lurking within, ready to snap. Or maybe that’s just me.

The Death Rattle
#5 Jannicke in COLD PREY - When I first saw COLD PREY, one of the main things that stood out to me was how great the character of Jannicke was. When she's introduced it's quite obvious for a number of reasons that, unless the director planned on pulling a fast one on us, Jannicke was inevitably going to be the Final Girl. Despite not actually being a parent, she's the mature, maternal figure amongst her group of friends, and when they find themselves being preyed on by the film's killer, her motherly instincts come into play and she becomes very protective of everyone else, but it's almost portrayed as if it were an unconscious effort on her part; even with an injured friend holding her back, leaving him behind is never an option to Jannicke. Some of her actions towards the end of the film are more reflective of someone who's simply trying to stay alive rather an a fearless heroine, but her endurance, smarts, and determination prove to be rewarding.

Behind the Couch
#6 Wendy Torrance in THE SHINING - Yes, that’s right. I said Wendy Torrance from The Shining. What? You have a problem with that or something? Yes, she’s arguably pathetic, mousey, hysterical and a limp wet blanket, but like it or not, she represents how most of us would react and behave if placed in a similarly isolated and terrifying situation. The man she loves, the father of her son has just gone bat-shit crazy – how do you think she’d react? Wendy has obviously stood by Jack and supported him through some very bleak times. She would be happy for him to wash cars if it meant having an income – she wouldn’t look down at him, she would support him and appreciate his manual labour. She’s a simple, rational woman with a no frills attitude to life – dependable and encouraging. All she wants is domestic stability and food on the table. That she’s also a confirmed horror film and ghost story addict cements my appreciation for her. She might nervously prance around in her night-robe carrying a kitchen knife she seems ill equipped to do anything with other than grip for sheer life, but when she’s pushed she takes the only necessary course of action in defending herself and her son. We can all relate to her nervousness and ineptitude – but it is these very things, especially her ordinariness, that makes her such a believable character and what compels us to root for her.

The Death Rattle - SPOILER ALERT
#6 Taylor Gentry in BEHIND THE MASK: THE RISE OF LESLIE VERNON - I'd be remiss not to give a shout-out to the Final Girl in one of my favorite slasher movies of all time. Taylor Gentry is a reporter who, along with her camera crew, follows around a charming, charismatic serial killer known as Leslie Vernon, who's basically a "real life" version of a seemingly unstoppable masked killer from a slasher movie. Taylor and her crew begin to have second thoughts on their coverage when shit gets real, and they eventually turn on Leslie, which leads to them being preyed on by the man they befriended and Taylor making a drastic turn, going from a fragile, wide-eyed young woman to someone who's backed into a corner and has to get her hands dirty if she wants to survive. The character of Taylor herself is a self-referential manifestation of the stereotypical Final Girl without ever becoming a parody, but what makes her one of my favorites mostly has to do with how well she's played by Angela Goethals. Her inevitable showdown with Leslie could be seen as her acting out some pent-up sexual tension, but that's a discussion for another time.

Behind the Couch - SPOILER ALERT
#7 Samantha Hughes in THE HOUSE OF THE DEVIL - Typical girl next door, there’s nothing too remarkable about Samantha. She’s a student, wants a place of her own and likes hanging out with her best bud Megan scoffing pizza and listening to music on her totally rad walkman. She’s mature and responsible but far from perfect. Slightly prissy about hygiene and more uptight than her free spirited friend, Samantha might be a bit of a stick-in-the-mud, but she’s level-headed, reliable and downright groovy in her own quiet way. Miss Hughes shares the same likable ordinariness Wendy Torrance from The Shining demonstrated, though she reveals herself to be far gutsier. When bonkers occultists try to impregnate her with the Devil’s child, Samantha does what any rational thinking, desperate victim of the damned would do – she kicks, screams, slashes, shoots and bludgeons her way the fuck out of there. With Sam as his mum, Little Lucifer may not be so bad after all; at least the apocalypse might boast a rad Eighties rock soundtrack.

The Death Rattle
#7 Kirsty Cotton in HELLRAISER - What do you do when you find yourself in a situation where you have a wicked stepmother and her skinless lover wanting to kill you and a group of angry demons wanting to drag you down to the depths of Hell? Well, if you're as cunning (or desperate) as Kirsty Cotton in my second favorite horror movie of all time, the answer is quite simple: you turn them against each other and sneak out the back door. There's no denying that Kirsty is somewhat of a brat in HELLRAISER, but the manner in which she goes about saving herself and eliminating the evil entities is quite admirable. For those reasons, and also because I've always had a huge crush on Ashley Laurence, Kirsty was one of the first characters who came to mind when throwing this list together.

Check back on Friday for the final three!

December 5, 2011

#8-10 The Death Rattle & Behind the Couch's Top 10 Final Girls

Aaron - When the thought came to me of doing a top ten list that honors the kick-ass horror heroines of past and present, I immediately thought of reaching out to James Gracey from Behind the Couch. He is, after all, a published author, and we both share an admiration of the slasher genre, so I thought it would be interesting to contrast and compare our respective lists of favorite Final Girls. I initially wanted to go in a traditional direction with my list while still opting to respectfully leave out the obvious choices and focus on the under-appreciated and overlooked ladies of slasher lore, but the interesting picks that James provided allowed me to think outside the box and go with a couple of unusual and unconventional picks.


James
- As much as I love Laurie, Alice, Nancy and Ripley, I didn’t want to just knock out another retread on why these tried and tested Final Girls have remained so enduring. I thought it might be more interesting to take a look at a few other ‘horror heroines’ who don’t often get a look in, perhaps because they broaden, bend or even negate the concept of what it is to be a Final Girl. Yes, we know she’s resourceful, good natured, dependable, the last one left standing and, thanks to John Carpenter, usually virginal; but it is interesting to note that John Carpenter actually said that it wasn’t his Final Girl Laurie’s virginity, chasteness or purity that helped her survive in Halloween; but her pent up sexual frustration.
With that in mind, the women I’ve chosen to highlight might not necessarily fit the rigid and conventional definition or mould of the ‘Final Girl’, but they still represent the strong spirit she is renowned for. Of course, many of the women I’ve listed here obviously owe a huge debt to Laurie, Alice, Nancy and Ripley – whose essences pervade these posts.

Behind the Couch
#8 Stevie Wayne in THE FOG - Single mum Stevie Wayne gets away from the daily grind of the small coastal town in which she resides through her work as a late night radio DJ. And who wouldn’t tune in to listen to Stevie’s smoky, dulcet tones wafting out over the airwaves accompanied by groovy lounge jazz. That she broadcasts from a lighthouse with beautiful scenery just adds to her unequivocal hip factor. She stays at the lighthouse to continue broadcasting her warnings of the dangers lurking in the fog to the townsfolk of Bodega Bay. All the while she keeps her cool, consistently repeating her alluringly breathy warnings over the airwaves. She also has to use her resourcefulness and courage to fend off marauding ghost-zombies from the deep, hell bent on extracting gruesome revenge for the deadly plight that befell them one hundred years ago no thanks to the corrupt ancestors of the towns’ people.

The Death Rattle
#8 Stretch in TEXAS CHAINSAW MASSACRE 2 - A fun-lovin' Southern gal and Cramps-friendly radio disc jockey, Vanita "Stretch" Brock goes through a lot of punishment in Tobe Hooper's much-criticized sequel to what is arguably the greatest horror film ever made. Stretch inadvertently gets the attention of Leatherface and his cannibalistic kin when she broadcasts a recording of an actual murder they were involved in, and so she's terrorized and eventually abducted by the cannibal clan, who, amongst other things, force Stretch to wear a bloody mask made from the skin of her best friend and father figure. Stretch has a huge advantage over everyone else on my list, however, in that she has a knight in shining armor in the form of Dennis Hopper, who plays an eccentric rogue cop who's hellbent on tracking down Leatherface and company. While Stretch's Southern sass doesn't go far in terms of fighting off a chainsaw-wielding psychopath and his maniacal family, her quirks are just a few of the reasons why this tough Texas gal is on my list. Plus, her name is Vanita!

Behind the Couch
#9 Kirsty Cotton in HELLRAISER - Moving with her father and stepmother to a new life in England, Kirsty is an outsider from the get go. She is also headstrong and fiercely independent. When she realises what sort of sordid, blood-soiled and downright gruesome stuff her wicked stepmother has been getting up to in the attic of her family home, Kirsty rolls up her Eighties sleeves and makes an admirable stand. We’ve already seen what the morbidly otherworldly and sadomasochistic Cenobites are capable of, so Kirsty’s chances of survival seem pretty darn slim; especially for such a sheltered ‘daddy’s girl.’ But all that determination and quick thinking pays off – as Kirsty beats the Cenobites not once, not twice, but thrice. Facing them again as a patient in a psychiatric hospital (in Hellbound: Hellraiser II) and as the downtrodden, cheated on and mightily pissed off wife of a man whose soul she decides to trade for her own (in Hellseeker: Hellraiser VI), Kirsty knows what it takes to save her own skin, and that she’s brutally rational enough to make the sacrifices and take the risks she does, marks her as a born survivor.

The Death Rattle
#9 Tina Shepard in FRIDAY THE 13TH PART VII: THE NEW BLOOD - Everyone's so crazy about Ginny in Part 2 (me included), but it doesn't mean everyone should overlook Tina from THE NEW BLOOD. I think it's a case of people disregarding her simply because of her association with what is arguably a sub-par entry in the FRIDAY franchise, but I digress.

But seriously though, does Ginny have telekinetic powers? I think not. That being said, Tina has a huge advantage over pretty much every character who ever appeared in the franchise - including Jason Voorhees himself. Admittedly, I might be a little biased because of my love of telekinetic-teen films, but it's hard to deny the fact that Tina pushes Jason Voorhees to the limit, which can't really be said for any of the other Final Girls in the series - at least not the extent of the psychic-powered punishment that Tina dishes out. Furniture literally flies when they clash. While she can't take credit for putting Jason down for the count permanently, Tina at least put up a hell of a fight and even managed to get some closure with her kinda-dead-but-not-really father in the process.

Behind the Couch - SPOILER ALERT
#10 Beth in THE DESCENT - Remember when I said I might push the boundaries of what is usually deemed the definition of Final Girl? Well, Beth from The Descent is that. I know, she doesn’t even make it to the end, but before she’s bumped off, she demonstrates all the usual attributes of the Final Girl, and a damn likable and down to earth one at that. Resourceful, loyal, even-headed and witty – she’s always there for her friends when they need her – both physically and emotionally. Beth seems likely to make it to the end; she just didn’t count on the kind of monstrous and backstabbing femininity that would not only cause her death – but also be dealt by one whom she deemed a friend.

The Death Rattle
#10 Katherine (aka "Katie") in HOUSE ON SORORITY ROW - When people talk about the great 80's slashers, SORORITY ROW doesn't really come up too often and I'm not sure why; it's a solid slasher movie with more style and creepy atmospheric moments than one would expect.

But enough about that.

Final Girl Katie, by comparison, is a fucking angel compared to her friends, all of whom are mean-spirited brats. Set in a college, a cruel prank turns fatal, and Katie's girlfriends ditch the body and pretend it never happened; but of course, in true slasher tradition, their actions come back to haunt them as a mysterious killer dispatches them one by one. By definition, Katie fits the Final Girl criteria to a tee: she has integrity and morals, she's not glamorous, she's not a huge partier, and she's not a sexual person. In other words, she's not my type at all. Aside from the fact that she's a genuinely good person who deserves to live, her impressive turn during the film's climactic moments make Katherine one of my favorite Final Girls. Homegirl has stamina and even perseveres through severe disorientation during the big showdown. Also, she earns bonus points for throwing an empty gun at her attacker.

Check back on Wednesday for the next four.